Feminist film theory will be used to examine both Hollywood and independent films. It aims to sharpen appreciation of major works of cinema and of literary narrative. Graduate Film Courses. Course Description. This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. It includes some attention to theory of narrative.

Theoretical and critical approaches discussed may include: realist theory, genre criticism, auteur theory, structuralism, feminist theory, and journalistic criticism. Course Description: This course develops an advanced understanding of film as a complex cultural medium through the discussion of key theoretical and critical approaches. FILM 401: Film and Media Criticism A writing intensive course in critical aesthetics, with a focus on the theoretical assumptions underlying various critical approaches.. FILM 402: Scriptwriting A writing intensive coure on the constructionof screenplays.. FILM 403: The Biz. Minimum course requirements to obtain the Certificate: 6 courses (of 3 credits or more), in the following 5 Categories (each course counts for only one category): I. Listed in: English, as ENGL-84 Faculty.

Current issues in film criticism and theory and an exploration of critical perspectives (psychoanalysis, feminism, structuralism, post-structuralism) informing recent debates in film studies. for Humanities) Or SLLC 283/FILM 283: Introduction to Cinema Studies. The course explores how artworks challenge and cross cultural, political and aesthetic boundaries. Film History and Theory Foundation (6 credits) (Prerequisite for both courses: ENGL 245/FILM 245 or SLLC 283/FILM 283.

Genre/Director/National Cinema (1 required) IV. GERM 880 German Cinema

IDS2375 – Third World Cinema COMM 758 Studies in Film and Television. ENGL 881 Studies in Cinema. ENG 4115 – Film Theory This course considers centrally important theories of film from the 1920s work of Eisenstein through the 1970s “gaze” theories of Metz and Mulvey, to the present. Note: courses marked THT indicate that a Tar Heel Tracker adjustment will be required in order for the course to count. This collection of free online filmmaking courses is designed for anyone who wants to work in the film industry, improve their filmmaking skills, or simply loves film and wants to know more about it.

The course aims to provide students with a fluency in and understanding of film’s unique language as it evolves technologically, historically and generically. 208C. The DP film course aims to develop students as proficient interpreters and makers of film texts. It explores the work of Griffith, Chaplin, Keaton, Capra, Hawks, Hitchcock, Altman, Renoir, DeSica, and Kurosawa.
The course engages with a broad selection of films, principally from Europe and America, that are relevant to the theoretical issues at hand. Dale M. Hudson (Section 02) Description. This course concentrates on close analysis and criticism of a wide range of films, from the early silent period, classic Hollywood genres including musicals, thrillers and westerns, and European and Japanese art cinema. This course introduces students to film aesthetics through the analysis of film form and style. Seminar: Contemporary Film Theory (6) Seminar, three hours; film screenings, four to six hours.

The M.Phil.
in Film Studies at Trinity offers two interesting ways to pursue further analysis of film and the film industry at university: 1.


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