Of the approximately forty painted self-portraits by Rembrandt known today, the three-quarter-length standing self-portrait in Vienna, dating from eight years earlier, could be considered the first in which he presents himself in work clothes and, at the same time, with a forthright and confident expression that evokes no other role than that of an artist in his studio. ‘Self-portrait’ was created in 1640 by Rembrandt in Baroque style. These artists probably also inspired his Amsterdam signature, “Rembrandt” (dropping “van Rijn”). The dozens of self-portraits by Rembrandt were an important part of his oeuvre. A detail of Rembrandt’s “Self Portrait at the Age of 34,” painted in 1640, is on display in the U.S. for the first time. Pasadena, CA—The Norton Simon Museum presents an installation of Rembrandt’s striking Self-Portrait from 1640, on loan from The National Gallery, London this winter season.Titled Self Portrait at the Age of 34, the painting captures the image of the artist in his middle age: affluent, self-confident and wise. Rembrandt painted this self portrait at the height of his success. Following Raphael’s prototype, Rembrandt used the pose, costume, and expression to present himself as a learned painter. This is one of dozens of self portraits by Rembrandt. 2016 - 1640 Rembrandt Autoportrait à la chemise brodée. We see the artist in confident pose – self-assured, dressed in expensive-looking fur and velvet, his hat laced with jewels.

Self-Portrait (1630s) ... 1640) Rijksmuseum Amsterdam Museum. Portrait of a man, perhaps Rembrandt's father, Harmen Gerritsz van Rijn (1634) Rijksmuseum. Self-Portrait with gold chain and moustache (1630s) private collection. Rembrandt was 34 in 1640 when he painted this self-portrait. This is an oil painting reproduction of Rubens' "Self Portrait 1640". Philosophe authentiquement proche du peuple, il annonce la Révolution de Robespierre, mais aussi … The self-portrait portrays Rembrandt in middle age enjoying a successful career, but also having endured life's hardships. Rembrandt exudes confidence and urbanity in his Self-Portrait at the Age of 34 of 1640 (London, National Gallery), which was modeled upon courtly portraits by Raphael and Titian. Self Portrait as a Young Man 1634 (20 Kb); Oil on canvas; Uffizi, Florence Rembrandt and Saskia in the Scene of the Prodigal Son in the Tavern c. 1635 (120 Kb); Oil on canvas, 161 x 131 cm; Gemaldegalerie Alte Meister, Dresden Self-Portrait 1640 (100 Kb); Oil on canvas, 102 x 80 cm; National Gallery, London Portrait of the Artist at His Easel Portrait of an Officer (1630s) private collection.

He is portrayed as self-confident and wise, and is dressed in attire that connotes wealth and comfort. We’ll compare the two portraits and see the similarities. Photo of Self Portrait, 1658 by Rembrandt van Rijn. Images in public domain. Bust of a Girl (1630s) Groninger Museum. Self-Portrait with gold chain and moustache (1630s) private collection. Substantial things came out of Rembrandt's experience with nature.

Rembrandt's Sister in Oriental Dress (1630s) private collection. This captivating self-portrait arrives in the U.S. for the first time. Self-Portrait (1630s) private collection. Painting Weight: 11 pounds . The pose resembles a self portrait done by Durer in 1498.

Rembrandt, Self Portrait at the Age of 34, 1640, London, National Gallery. Portrait of Johannes Wtenbogaert (1633) Rijksmuseum. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject (mostly etchings) or the artist (mostly paintings), or the definition of a portrait. Rembrandt, Self-Portrait in a Soft Hat and Embroidered Cloak, 1631, etching, fifth state. Oil on Canvas. Rembrandt, Self-Portrait, 1633, Louvre. The painting is one of many self-portraits by Rembrandt, in both painting and etching, to show the artist in a fancy costume from the previous century. But, though he is a Dutchman living in the 1640s, Rembrandt is wearing the clothes of a gentleman of the 1520s and his pose is based on paintings by Dürer, Titian and Raphael from a similar date. The softer chiaroscuro of the 1640s was probably formed upon his open-air studies, and their atmospheric qualities soon appear throughout his work. Huge collection, amazing choice, 100+ million high quality, affordable RF and RM images.



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